Sag Awards Transformative on YouTube/Netflix

For the first time ever the SAG awards were being aired solely online this year...We were looking forward to something different and planned to be at a hotel out east on Long Island when we watched it. The awards are being carried by Youtube & Netflix. We weren't sure if signal issues were going to be something to consider for a seamless viewing, but we were game either way.

Well, the day started with a celebratory note to begin with. We were off to a 100th birthday party out on the eastern end of Long Island at the Sparkling Pointe Vinyards in Southold. Betty, the centenarian in all respects (she after all, was a Marine) was in great form and ate and drank wine as if she were 80... alright, not a smidgen over 90. It was a rare and wonderful affair, on a terrific sunny unseasonably warm day in a interesting vineyard tasting house of Méthode Champenoise Sparkling Wines.

After, we retired to our hotel nearby and piped our Chrome-Book's HDMI port into our rooms Big-Screen TV...and we were transported into front row seats at the Fairmont Century Plaza. We were feelin' kinda flush and ordered room service and felt right at home with all the other actors eating dinner. Couldn't get much cozier than Steve Martin's banjo pickin intro with Marty Short and Ms. Gomez' click for - Sag Awards Show 

Geez, by the looks of it, they seem to be eating from the same menu as we were. It could've been that we were watching the program in different surroundings, or that there weren't any commercials or host, just a roving camera that played the part of one for the evening. But, the best part of the show came from the actors who were so inviting to join them without an agenda or ulterior motive. 

 

It was difficult to make out at times what was going on in the background. Click the pic above to get a glimpse of Jeff Bridges helping out Michelle Yeoh to find her bearings after she unloaded the most innocent "F" bomb and said "I'm gonna walk away now"... without a dry eye in the house. And there were so many inspirational, genuine and sentimental journeys of when actors got their first SAG card. As an audience member...and as a SAG card holder, I got a strong sense of communal belonging and a ton of positive reinforcement. When you're in this business, it ain't such a bad thing to do the Susan Walker mantra of: I Believe every once in a while.

Oh, and there was no exit music played to signal actors to wrap-up their acceptance speeches. And because of it, fervent speeches like those of Michelle Yeoh, Jennifer Coolidge and Sam Elliott wouldn't have happened. They didn't conform to the play book and what a difference to not feel the vicarious discomfort an actor must feel at a moment that is already a tad strenuous. 

These days, it goes with saying that our pal Stefan Nadelman (Master of the digital graphic environment) has been (in my best Keanu Reeves) prodigious these last 6 months and has a few award contenders he's worked on himself. Stefan did the graphics and animation for Sr. (a movie about the life story of Robert Downey Senior) as well as supplying the Main Title animation for Steve Carell's The Patient. 

Stefan, is also working on 100 ft. Wave 2,  a Hollywood grifter series, a WWF insider project and something about NFT's. This could be very inside track stuff... so, please as the Metropolitan Transit Authority has repeatedly advised; "if you see something well, you know, just keep it to yourself". (in my best Buddy Bizarre) Wrong!

by:Tom Clifford, VoiceOver & Creative Services   

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Ai that voice-over ~ with Tom CliffordVO

While waiting to post the BLOG this month, we were presented with a second unveiling so-to-speak of a voice-over we did this past year.

Apparently, it was bandied about that if the sample rate on the VO was adjusted downward to a "Transformer" classification sound-a-like, it would enhance the engagement level. Check it out by clicking the video box below. 

Reminds us of a Twilight Zone episode featuring Lee Marvin as Steel Kelly, manager & handler to an android prize-fighter... a boxer. 

Things go south and Lee winds up the prize-fighter himself fighting his automaton's battle. After all, before becoming a second rate robot manager, Kelly was a professional fighter in the days when humans were allowed in the ring. Only this time, it's Human versus Machine.

This seems close-to-home while us voice actors are in the crux of an Ai versus real people battle for our livelihoods. Much like Lee's broken-down character 'Battling Maxo' does in the episode entitled "Steel" . 

So, too, do we go from organic human to robotic speech enhancement story-teller (listen below). And just like Mr. Marvin, we're not quite that sure we're all too happy about that. And if that isn't enough, it seems to be happening again just this side of...The Twilight Zone!

Got a forward of this Free-Think article about the In's & Outs of the Microsoft Ai program/app that can build a robo-clone of your voice after just 3 seconds. Microsoft's 'VALL-E' artificial intelligence is capable of mimicking anybody's voice after hearing just three seconds of speech. However, it's typically only as good as its training data, and Microsoft opted to use Meta’s LibriLight — an audio library containing 60,000 hours of speech from more than 7,000 English speakers — to train VALL-E.

This means the Ai’s training set was “hundreds of times larger” than those used to train existing voice cloning systems, according to the research paper.

When VALL-E is presented with a new voice to clone, it breaks the three second audio clip into bits Microsoft calls “acoustic tokens.” Using those tokens and its training data, it can then predict what the voice would sound like saying other phrases.

We posted in our July 2021, BLOG reports about Anthony Bourdain and Val Kilmer's voices being cloned. It was scratching the surface back then, but to a VO-Guy, this Ai stuff was going to be something taken seriously sooner rather than later. Also, every month we're confronted with voice Ai on our Medium (Twitter) page. That platform immediately transcribes the text into words...and at times, it be freaky close to human. And it's program platform is not all that sophisticated.

After listening along with Medium's Ai dude, a lot of the humanizing may come from punctuation. Comma's, ellipses, dashes could be the key to humanizing. What a fitting comeuppance to one's career of impersonations than to be impersonated by a Hal 9000 in the end. Well, you won't hear me singing D~A~I~S~Y anytime soon.

Perhaps that's just wishful thinking. For in last weeks Business section of the Sunday Times, Ai was getting some additional coverage as it applies to the print forum. It read "Bots can write sonnets and sometimes deceive people, but they're not upending our lives". It could be proffered that they meant to say - yet. Because the article went on to say that Ai is now a major player in the game called Diplomacy. It hearkens to such minds as Alan Turing and brain-trusts like Microsoft,  MIT and Meta. Excuse the pun, but we're talkin' Bots here...and not just to negotiate games, write sonnets and make dinner reservations, but a bot that'll leave people feeling as though they were chatting with a person. This particular bot is called: Chat GPT. It was released in November by Open AI, a San Francisco, California lab. They even gave the Bot a name: Franz Broseph. He's amongst a new wave of chatbots that are rapidly moving machines into new territory.      

In the meantime, why not cozy-up to a comfy resampled version of a relatively normal sounding human being's voice that's been Ai'd into a Transformer sounding character. To play, please click the triangle in the video box below.

by:Tom Clifford, VoiceOver & Creative Services   

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23 Skidoo - What'll it Do for You | TC&Co's Year End Highlights

 

 

Looking back, 2022 was a pretty good year in many respects. I made a friend some money (sorta out of thin air...really thin, 45 years old thin), celebrated some milestones and it wasn't too shabinsky with the voice-overs either. 

 

But, was 2022 a banner year? Wiktionary has it as; It was a banner year for the company; it produced a million widgets for the first time. Perhaps, it could be more than just a million or so widgets? Maybe 2022 never really had a chance to establish its own identity to have a banner year because, you know, it never had it's own - Catch-Phrase. Whereas, 2023 comes with its own Catch-Phrase built right in. Nice segue, huh. 

Besides, things right now are starting to look a little sketchy. Markets are diving for cover every other day. Interest rates are trying to plug things up and Joe's tellin people to "F" off about how he knew one of the guys on Mt. Rushmore. So, since 2023 already seems to have something going for it in the Catch-Phrase department, why not take it out for a spin. We're talking a phrase that's over a hundred years old and shrouded in analogue Black & White. Could "23 Skidoo" be ready for a come-back!

During the early 1900s, groups of men reportedly gathered on 23rd Street to watch women walking by have their skirts blown up, revealing legs, which were seldom seen publicly at that time. Local constables and transit police, where known to periodically disperse the group's congestion with hearty bellows of  "23 Skidoo...C'mon, let's Go, 23-Skidoo, let's move it along now". It was said that they were;  "Giving them the 23 Skidoo".

Perhaps, the most widely known story of the origin of the expression concerns the area around the triangular-shaped Flatiron Building at Madison Square in New York City. The building is located on 23rd Street at the intersection of Fifth Avenue and Broadway, the latter two of which intersect at an acute angle. Because of the shape of the building, winds swirl around it. "23 skidoo" quickly became a popular Catch-Phrase after its appearance in early 1906. It combines two earlier expressions. '23' (1899) and 'Skidoo' (1901), both of which refer to leaving, being kicked out or end of something.

 So, maybe "23-Skidoo" ain't such a bad Catch-Phrase for 2023. An anthem to Let's go...Let's move it along. Time to go past the teenage years and realize that this millennium is gonna be a quarter century old soon, be'Geezus! 

Below are some voice-over highlights from the 2022 Calendar year. Please take a look & listen.

 

The copy says it best; Go from design to industrial parts at the touch of Print! They didn't want a traditional voice or attitude insomuch that their printers were certainly not traditional. The production director initially contacted us in hopes of using the same tone of narrative voice we used in the Terminal Bar years back. We started the year off with a voice-over for their C3-D Metal printers.

 

April we did the video voice-over for Za’atar Road. What we tried to convey in the voice-over was the emotional aspect of the Levantine region and it's artisans, descendants, expatriates and enthusiasts with providing people around the world with access to the regions authentic goods they can't find locally. Check out their website as an alternate source.

Back in November, 2021 while watching CNN’s Original Series “The Story of Late Night" on HBO Max we noticed a clip of someone we know on a show that we booked them on, that featured a premise we cooked up...some 40 years ago! The clip featured George Willig (WTC climber) with reference to Morgan Brittany, the actress. We just saw her in a Perry Mason (movie) re-run from the 80's & 90's.

The MetaVerse stands more-than-ready to remind us of names, places and generally whom we and "our eyeballs" were a few months or years ago as we pass through the landscape of our lives. Boehringer Ingelheim's was to tap into this fountain by rolling out of their digitally transformed journey promo. The pacing's a bit enthusiastic towards the end to help build momentum and inspiration within the troops.

 

   This year marks the 15 anniversary (Circa 2007) featuring the Creepy-Guy voice so we've combined the best creeps from the bunch and put 'em on the below link. Oddly enough, this year also marks the 150 year anniversary of The Mortuary in NOLA. We began our journey thanks to a mutual acquaintance at Elswarro Productions. The Creepy-Guy voice became such an identifiable presence with The Mortuary, that they started using us directly and it became the beginning of a beautiful friendship ever since. Click to hear a few quick tags for the Mortuary's  'The House that Fear Built' 150 year Anniversary campaign. 

 

And, "in keep'in with the situation" as Mrs. Dilber would say at A Christmas Carol time, we leave a link to a minute version of:  'Twas the Nite Before Christmas - a cavalcade of wise-crackin old Celeb farts voices that will thrill and captivate the whole family. Click above link or graphic to play.
 

 

In closing, we end the year by giving tribute to the inimitable Mills (Let's Get It On) Lane, who passed away this December 6th, at 85.  Let's hope he's still gettin' it on in that heavenly ring in the sky. Mills was a real life boxing referee. His long career was punctuated when he ref 'd the Tyson/Holyfield fight. That's when Mike Tyson bit off a portion of Holyfield's e-a-r! In 1998, Lane hit the small screen as the star of the syndicated courtroom show Judge Mills Lane, deciding real-life cases with his razor-sharp judicial expertise and hard-nosed demeanor. He also appeared as himself in the MTV animated series Celebrity Death-Match where I often times appeared with him as a celebrity voice. The Mil'ster and I go way back. Yeah, right. Actually, Mr. Lane and I, although appearing together in many of the episodes, only met twice at the food court of Syn-Sound recording studio on the upper West-Side of Manhattan. Here's an episode that features Mills out of character as a contestant, almost. I played tough guy VJ Matt Pinfield against Zany VJ Jesse Camp. It's not pretty, but you can count on a-laugh-a-minute of side-splitting humor for an uproarious riot of comedy fun. 
 

by:Tom Clifford, VoiceOver & Creative Services   

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Tc & Company gets Vocal on Tinol's "You Name It" Campaign

 

For many years now, choosing a color in Lebanon has meant choosing a political side. You see it in branding, protests, on billboards, marking their territories and creating more divisions among the Lebanese population. The day after the last Parliamentary Elections in 2022, the Lebanese people woke up to an even darker political context and a country losing by the day its colorful spirit.

 

A tad close to home, but when I hear or read stuff like this, my mind flashes back to the Star Trek episode "Let That Be Your Last Battlefield" with Frank Gorshin, the impressionist. His character Commissioner Bele, questioned if Kirk and Spock weren't blind not to see the obvious distinction between right & left sided faces. One Black...one White. Ah, but on which side of the face are they white & black? Don't despair. There was a lot of pause-acting from Capt. Kirk for xenophobe Bele and the rest of us to get the message.

The Lebanese people continue to struggle with 'obvious distinctions'  while having to deal with extended power cuts, a growing bread crisis, water and fuel shortages, increases in poverty along with increased hunger rates and limited access to proper medications. All the Lebanese are living in the dark. The colorful spirit of Lebanon is sadly disappearing…leading the country to a total economic meltdown.

To revolt against this gloomy reality, Tinol a leading paint brand in Lebanon, stepped forward to contribute  “symbolically”. Aimed at disarming the political parties, by depriving them of their color appropriation, and giving back this right to the Lebanese citizens. Tinol launched a unique, initiative…A colorful revolution with a twist; in which RED claims to be BLUE, ORANGE to be GREEN and so on...You Name It!

Tinol wanted a distinctive roll-out for their outdoor media "You Name It" campaign all over Lebanon. The effort was ON to break the strong association that was being made between colors and the political parties - making a bold, disruptive, and colorful statement. Revealing your own color, became a sort of game to express differences in a peaceful manner and a reminder that colors can speak in a thousand ways.

 

Our job was to make the voice as emotive as the spirited music track. At least that's the direction from the advertising camp. The music is pretty intense with flourishes and serene moments and the wrap-up of course. And there was a template for additional guidance as to tone, approach-ability and a leave-no-question as to our trustworthiness. The voice, after all said & done, had developed into an assertive character. It was a cross between a newscaster and meaningful commentator...but, in a good way we hoped. We were feelin' the magic! Click below for an abbreviated pre-quel to the final.

Over on this side of the world, we were invited to attend some very hep sounds in NYC at the College of Performing Arts at The New School on the 20th. A good friend of ours has been singing her heart out in this choral society she's belonged to for quite a few years now. Our seats were reserved, brand spanking new and built for a clarinet. Masks weren't optional. Small price to pay (free) to be a part of this gala event of the season. We were about to hear a few hours of a rare staging of the New York Choral Society stylings against Duke Ellington’s Sacred Concerts. Check it out. It was in partnership with the College of Performing Arts. What a nice surprise of theater peeling back the rich layers of Ellington rap plus some rat-a-tat-tippy-top-tap to top it off!

Combining elements of jazz, classical music, choral music, spirituals, gospel, blues and (Tap) dance, Ellington’s three Sacred Concerts were first performed in 1965, 1968, and 1973. Ellington said it was the most important music he’d ever written. Because of the scale of the music and the number of artists needed to perform each work, Ellington’s Sacred Concerts have rarely been performed in their entirety since his death in 1974 and have not been performed in a concert hall setting in New York City in over 35 years.

The Sacred Concerts would not be possible without YOUR support. Your donation, in any amount, makes this historic production possible. DONATE HERE. Thank you!
                                                                    - New York Choral Society

The New York Choral Society and The New School Studio Orchestra will be joined by vocalists Brianna Thomas and Milton Suggs, dancer Daniel J. Watts,  artist James Little. David Hayes and Keller Coker conduct.

Click above pic for Utube link to watch replay of Nov. 20 Concert

by:Tom Clifford, VoiceOver & Creative Services   

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New York Times Devil Terms | Frightfully Halloween

Tis the time to get spooked, right? Man, did I ever, after I looked at Sunday's front page of the New York Times. On the front page was a montage of nine Tweet Balloon quotes from Republican representatives over the past couple of years. One of which was from a fellow I did a VO job for back in 2010...and I ain't saying who!

That being said; the scary aspect and perhaps another plus for ai, is that one can never tell where one's voice is gonna wind up...or w-h-e-n! The voice I used was far from my own. It was a nice homey storyteller type voice - codger with a hint of southern drawl. 

The spot's a bit cheesy by party standards. No pokin fun at anyone or any one demographic. The spot featured a young guy just starting out, not a career politician. The VO moseys on over to where he's been a small businessman and found out how to create jobs and grow the economy. Plus, I got to learn how to say Mont-gum-ree. And it's State House as opposed to congressman or representative. 

 

The Creepy-Guy voice wraps up the Halloween Season. This makes three posts in-a-row with the Haunt Industry as the topic or sub-topic, but being it's right at the crest of the season, why not make the best of mentioning it. The Mortuary, the Haunted House venue in NOLA, is running this very cool TV spot of these two goofy characters On-The-Street  being interviewed. They're pretty funny as they give their accounts at the event. Spoiler Alert - pop-out voice.

Now that it's closer to October 31st, here's the Mortuary Sprite co-op spot (left) that lets viewers get discount tickets by scanning the secret QR code where Sprite is sold...time is running out. Click the Sprite 'House that Fear Built' pic to play spot in typical high-energy Creepy-Guy voice style. 

  

Don't forget, it's The Mortuary's 150th anniversary. In 1872 this Grand Victorian Mansion and former funeral parlor opened its doors. Between 1930 and 2003 more than twenty thousand funerals took place in this house. The Mortuary first opened its doors in 2007 as a haunted attraction and we've been partnering-it-up now for 15 years. Take a listen to the Celeb Voices mp3 from the August 31st Blog post above. It contains a few oldie-but-goodie horror voices joining unworldly forces to perform an audio translation of the text.

 

Here's a little Halloween ditty (below) that first found its way to us on the internet as a graphic. "Clifford the-Big-Red-Dog at Halloween" appeared from somewhere and we figured why not throw together a little video of it with the voice of Christopher Walken AKA Clifftopher Walken doing Kevin Spacey's rendition of Christopher Walken doing the Trick or Treat incantation. 

 

 

by:Tom Clifford, VoiceOver & Creative Services   

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Tom Clifford Celebrates 15 Years in the Haunt Industry

The Creep Show started in 2007, quite by accident...as our 15 year anniversary begins. The outfit responsible for it was called - Elswarro Films. Elswarro specialized in haunt industry short films and advertisements. Jason Swarr, head ghoul filmmaker extraordinaire reached-out to me and asked if I could create a Creepy-Guy voice based on the 2004 movie 'Saw'. They wanted that same eerie sound to that of the movie's protagonist JigSaw, characterized by Tobin Bell. Jason had a compendium of clients throughout the country that needed representation. He supplied them with custom videos from various templates, custom voiceovers & music.

I remember being surprised at who was behind the voice of Jigsaw. Tobin plays that intense off-putting heavy so well in such flicks as 'The Firm', 'Sandman' and 'The X-Files'. Now he's got a completely new career as the demented voice of a psycho-killer. His latest involvement is the Ghostkiller. And he's said to be just as creepy as in the Saw's franchise. To get that creepy crypt keeper voice style I pretended as though I was between two slabs of concrete and every breath was so labored just to say basic phrases. Using that limitation together with some demonic conjuring we came up with a pretty scary likeness. 

That being accomplished and with a client list that kept building on top of polished production content... all was right in The Haunt World. The Creepy-Guy voice evolved into a high energy pitchman. Then, Jason confided that he wanted to stretch his creative senses and go into feature films. The great guy that he is, left me all his contacts and gave his blessing to go forth and multiply.

Fast forward fifteen years into the future and I've had some very good luck. Been able to maintain a presence throughout the country providing all sorts of voice characterizations as far west as Arizona & Texas and south to New Orleans, LA. and up to New Hampshire.  

 

Year after year working regularly as the Creepy-Guy Voice, we were able to pitch all sorts of voices for other areas of client holdings; Escapes Rooms, In Line presentations, TV & Radio even developing animatronic voices to cater to clients One-Stop shop for all their attraction goals. Here's how it all started with Arizona's Original Scream Park for their: ASP - Applegate Asylum

 

Take a look at what we're doing for Canobie Lake Park's ScreeemFest: 

They have a regular theme park going throughout the year and do it up B-I-G for the Halloween Season, particularly this year since it's their 120th year Anniversary. They feature live bands, side shows and Critter's live shows for the little guys... and for Mom's & Dad's.

 Play TV spot VO (wait for it)

 

The Kidz Zone is where younger kids have fun at the Scout Island Halloween festival in NOLA. We're featured as the spaced-out MC Host character in the 'Boogie Spooktakular', an animated cartoon musical adventure! A spectacle of fun for the whole family and kid-centric with a cast of characters that inspire kids to have sing-a-longs and create their own fun amidst a safe scare-free environment. For the MC voice - think a-bit-daffy with a dash of Pee Wee and a pinch of surfer-dude wonderment and Voila! Kids are introduced to a silly bunch of characters like: Mumzy, Wolfie & Helga. They spook-up that Halloween spirit and teach addictive moves to boogie to, giving kids a chance to express themselves with other kids while having fun.                             Check it out at: Boogie Spooktakular
 

by:+Tom Clifford, VoiceOver & Creative Services   

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The Mortuary Marks 150 Years with TC & Company

                                                

Well another Halloween season is upon us and that 'ole pre-pandemic nostalgia is wafting about. It's almost back to pre-pandemic levels with 3 months of preps in advance of the event. Did you know this year marks the Mortuary's sesquicentennial [ses-kwi-sen-ten-ee-uhl] anniversary? A hundred and fifty years is reason enough to roll out the red coffins...err carpet. Voice Translation

The agency has requested the Creepy-Guy voice once again to rekindle the brand and billboard its 150 years as a NOLA tradition. They're hoping to get the message across that they're still very much (of all things to say) alive... and keeping that tradition going well into another sesquicentennial. The roll out theme for the 2022 season is; The House that Fear Built...even though it may sound like an HBO episodic.

This season, The Mortuary's ticket-buying arm co-opted with Sprite for 'Wherever they're Sold' QR code tie ins in hopes of scaring up some shocking results.

As the story goes, albeit with a dash of MST 3K,  in 1872 a man-turned-monster named Ravencroft, a mortician by trade, began to tinker with the primal forces of the universe with vampiric blood, seeding the terror of the victims of his unearthly experiments in his search for eternal life into the very walls of the basement to the house he called his own. (Don't call us...) Insane acolytes hearing whispers from the dark continued with Ravencroft’s experiments, and where Ravencroft’s seed blossomed, the seeds of the dark society of mass murderers known as The Collector’s ~ bloomed (Dum Dum Dum)! Within the bloody, beating heart of New Orleans, on the edge of the City of the Dead, fear was cultivated and allowed to fester...(we're Bringing-it-Home) building a place for itself… a house…a home…where, if you're not screaming...you're already D-e-a-D. NOooo! Cue Creepy-Guy-Voice.

Now after 2 years + of indiscriminate spot closures and partial openings, The Mortuary has all the eye, nose and ear-marks of being pretty much back on track...with the provisos of operating on the side of caution. So it's still mask wearing, wash them there hands (bloody...or not) and no exchanging blood types with the zombie actors no matter how much they s-c-r-e-a-m! 

 

Between 1930 and 2003, more than 20,000 funerals took place within this Grand Victorian Mansion and former funeral parlor. Surrounded by New Orleans’ famed “Cities of the Dead” and sitting among more than a million graves in a one-square-mile radius, The Mortuary first opened its doors as a haunted attraction in 2007. Now, the house is alive as ancient and evil spirits that have lain dormant for so long begin to stir once more…Old fears you thought forgotten begin to resurface and that something's wicked hiding under your bed.

The Mortuary has been featured on  CBS' NCIS (Nola) series for their Halloween episode in 2017. As if going national wasn't enough, they're also listed amongst the top ghost hunting shows by the Discovery Channel’s Ghost Lab. And the Mortuary is prominently featured by SyFi Channel’s Ghost Hunters & Ghost Hunter’s International and The Travel Channel’s Ghost Adventures as one of America’s Scariest Attractions! It’s the perfect setting for a one-of-a-kind adrenaline pumping, nail-biting haunted house experience...and by the spooks of it, they ain't kiddin.

 

The Mortuary will actually open its doors a bit later than pre-pandemic openings. The season will begin September 24th. There will be a ton of social buzz with creepy teaser sound effect only spots leading up to all important opening dates. 

 

 

 

We did a number of spots featuring the Creepy-Guy voice so we've combined the best creeps from the bunch and put 'em on the video below. Oddly enough, this year also marks our 15 year anniversary representing the Mortuary (Circa 2007). We began our journey thanks to a mutual acquaintance at Elswarro Productions. The Creepy-Guy voice became such an identifiable presence with The Mortuary, that they started using us directly and it became the beginning of a beautiful friendship ever since. More on that in next month's BLOG. Click the play button to hear a quick 15 second tag for the 'The House that Fear Built' 150 year Anniversary campaign.

 .

by:+Tom Clifford, VoiceOver & Creative Services   

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